And I want to make the most of that. Does it often start with an image? Thanks to a new generation of comic visionaries, the genre has expanded to include more diverse stories from varied perspectives that don't involve so many goddamn capes! It may seem less titillating at first glance, but focusing on how tightly someone grasps their partner's hair can say a lot more than a gratuitous closeup of their genitals.
When embarking on a new comic, what is the first step? I do a tighter rough version on the computer at full size, a stage called "pencils" in comics, where I problem solve any poses, perspective, etc. I do very rough, tiny thumbnail sketches to figure out how I want to lay out the page. It's currently being serialized digitally on Filthy Figments , with some exciting news coming soon! And that's definitely not to say I'm not a fan of gratuitousness. The only fat characters were grotesque caricatures, villains or jokes. Comics were the perfect format that allowed me to make the most of my interests and skills. Sex offers opportunities for character development and growth that are really unique and special. A definite advantage is that while I can shape the pacing somewhat from my end, the reader ultimately controls it. As vague as this sounds, it usually starts with a feeling. It never occurred to me that the sleek language of comics could be used to tell different kinds of stories -- stories less about kicking ass and more about, well, getting it. By Priscilla Frank from First, available to read on Filthy Figments When I was a kid, the words "comic book" conjured images of muscular superheroes -- mostly male -- in tight-fitting bodysuits and dramatic capes, kicking and punching with a BOOM! Are there certain other artists working in this genre that inspired you? What are you working on now? I'm also working on a few other projects, some of which I ramble about over on my website , some of which are yet unannounced. This work is produced consciously separate from the straight male gaze, which dominates most mainstream sexual content and can be alienating to a lot of people. What initially drew you to the medium? I go in with the mindset that sex itself isn't the point of my comics, but rather it's natural progression of a greater story. I do my best to listen and learn from people with different backgrounds and experiences than mine, and to use what I learn to improve. How do you decide how much to show in a sex scene? Can you talk about all the steps that go into creating such a seamless final image? When creating a sex scene, what are the main things on your mind in terms of what you're trying to convey and communicate? I reached out to Searle to discuss the details of her craft, her thoughts on the contemporary state of comics and how she makes her sex scenes so h-o-t. Even as an elementary schooler, I was not impressed. Thanks to a new generation of comic visionaries, the genre has expanded to include more diverse stories from varied perspectives that don't involve so many goddamn capes! Rather than focusing on violence or war or stealing cars, Searle's work revolves around relationships, often but not always romantic ones.
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