Using Polaroid filters meant an entirely new form of projection, however. It consisted of shots of various views that could be seen from the Pennsylvania Railroad's trains. Originally in black and white, the film was so popular that it was re-shot in color for the following year at the fair, under the title New Dimensions[ citation needed ]. The other three films were produced in Britain for Festival of Britain in by Raymond Spottiswoode.
Although available in 3D in , there are no known playdates in 3D,[ citation needed ] since Warner Bros. The science fiction film Spacehunter: The Italian film was made with the Gualtierotti camera; the two German productions with the Zeiss camera and the Vierling shooting system. The prints had to remain exactly alike after repair, or synchronization would be lost. Robot Monster also has a notable score by then up-and-coming composer Elmer Bernstein. In his patent, two films were projected side by side on screen. Cyr, and Vincent Price. Another early 3D film during the boom was the Lippert Productions short, A Day in the Country, narrated by Joe Besser and composed mostly of test footage. It was directed by the great stylist Douglas Sirk , and his striking visual sense made the film a huge success when it was "re-premiered" in 3D in at the Second 3D Expo in Hollywood. In it, a full Chrysler Plymouth is magically put together, set to music. The Zeiss Company in Germany manufactured glasses on a commercial basis commencing in ; they were also independently made around the same time in Germany by E. Early systems of stereoscopic filmmaking pre [ edit ] Fairall in Fairall's 3D camera Audience wearing special glasses watch a 3D "stereoscopic film" at the Telekinema on the South Bank in London during the Festival of Britain House of Wax , outside of Cinerama , was the first time many American audiences heard recorded stereophonic sound. Using left-eye and right-eye prints and two interlocked projectors , left and right frames were alternately projected, each pair being shown three times to suppress flicker. April saw two groundbreaking features in 3D: James Mage was also an early pioneer in the 3D craze. It was later shown at Disneyland 's Fantasyland Theater in as part of a program with Disney's other short Working for Peanuts , entitled, 3-D Jamboree. The other three films were produced in Britain for Festival of Britain in by Raymond Spottiswoode. The prints were by Technicolor in the red-and-green anaglyph format, and were narrated by Pete Smith. December Learn how and when to remove this template message Early patents and tests[ edit ] The stereoscopic era of motion pictures began in the late s when British film pioneer William Friese-Greene filed a patent for a 3D film process. The first film, entitled Plastigrams, was distributed nationally by Educational Pictures in the red-and-blue anaglyph format. Columbia has since printed Down the Hatch in 3D for film festivals. Echoes of the Sun Roman Kroitor , was the first IMAX film to be presented using alternate-eye shutterglass technology, a development required because the dome screen precluded the use of polarized technology. Carmenesque, a burlesque number starring exotic dancer Lili St. Although it was more expensive to install, the major competing realism process was anamorphic , first utilized by Fox with CinemaScope and its September premiere in The Robe.
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